Tag Archives: Comics

Announcing the Next Manga Moveable Feast!

30 Jan

I am happy to announce that starting February 13th til the 19th, A Life in Panels will be hosting the 11th Manga Moveable Feast – Keiji Nakazawa’s Barefoot Gen.

For those of you not familiar with the  series, it chronicles the events of the Hiroshima bombings through the eyes of a six-year-old boy, Gen Nakazawa, as he and the surviving members of his family deal with the aftermath of the bombing. Published by Last Gasp, there are ten volumes in total, as well as two films and a live action adaptation. This is a series that, as you will soon find out, is near and dear to my heart and I am ecstatic to see what kind of articles & opinions this MMF will produce.

If anyone reading this blog isn’t familiar with what the Manga Moveable Feast is, can take a look at Matt (Rocket Bomber) Blind’s handy introduction to the project. If you’d like to participate but don’t have a blog or don’t think the subject is right for the blog you already have, I’d be happy to host your guest pieces during the Feast. Just email me the post at skusek at yahoo dot com.

Here are links to the Feasts that have taken place thus far:

  • February 2010 – Sexy Voice and Robo – Hosted by David Welsh (Manga
    Curmudgeon)
  • March 2010 – Emma – Hosted by Matt Blind (Rocket Bomber)
  • April 2010 – Mushishi – Hosted by Ed Sizemore (Comics Worth Reading)
  • May 2010 – To Terra – Hosted by Katherine Dacey (Manga Critic)
  • June 2010 – Color of… Trilogy – Hosted by Melinda Beasi (Manga Bookshelf)
  • July 2010 – Paradise Kiss – Hosted by MichelleSmith  (Soliloquy in Blue)
  • August 2010 – Yotsuba – Hosted by Robin Brenner (Good Comics for Kids)
  • September 2010 – Afterschool Nightmare – Hosted by Sean Gaffney (A
    Case Suitable for Treatment)
  • December 2010 – One Piece – Hosted by David Welsh (Manga Curmudgeon)
  • January 2011 – Karakuri Odette – Hosted by Anna/Tangognat  (Manga Report)
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Threatened by shadows at night, and exposed in the light (Josuke Higashikata’s Crazy Diamond)

14 Nov

The Song:

Shine On You Crazy Diamond” is a nine-part Pink Floyd composition written by Roger Waters, Richard Wright, and David Gilmour. The song is a tribute to former founding band member Syd Barrett, who left the group in 1968 amidst speculations of mental illness which was exacerbated by  Barrett’s heavy drug use, although it was not originally explicitly written with him in mind. The song is a part of Floyd’s “Wish You Were Here” and was spilt into two parts that bookend the album. Parts 1–5 of “Shine On You Crazy Diamond” became a staple of Pink Floyd’s live performances from 1987 until 1994.

http://www.youtube.com/v/vyqgjCKm9nQ?fs=1&hl=en_US

The Stand:

Crazy Diamond is the Stand that is used by the Series Four hero, Josuke Higashikata. Just a little background on Josuke, as he is a major character. Josuke is the illegitimate son of Jospeh Joestar, hero of Series Two and grandfather to hero of Series 3, Jotaro Kujo. Joseph had an affair with Josuke’s mother and never know of Josuke’s existence until Jotaro comes across him while investigating some missing Bow and Arrow’s.

Before I get into Crazy Diamonds abilities, I just wanted to talk about the overall design of the Stand. While it’s humanoid in its appearance, which isn’t anything new, Crazy Diamond is really one of the few Stands up until this point to start use symbols in its appearance. If you look at the top of its head, shape of the shoulders, mid torso, belt and knees, there are hearts everywhere.

This Stand is capable of repairing damages and healing injuries, often reverting an item back to its original components; ie; reverting a table back into the very lumber it was before, meaning that it can theoretically regress the timeline of an object. This ability allows Crazy Diamond to perform a number of interesting non-offensive tasks, including trapping the enemy, breaking & entering with ease and tracking. However, Crazy Diamond cannot resurrect the dead, Josuke cannot heal his own wounds and if used in a foul mood, the restoration will warp and cause that item to be improperly restored.

Connections:

Lets start with the most obvious observation, the connection between the songs message and the ability at play. The song, though not originally intended to be, is more or less a message to Syd Barrett, informing him that “though times are tough right now, we know how much of a good, successful person you are. Keep at it, keep trying and please come back to us as you once were.” If you don’t believe me, check out these lyrics:

Remember when you were young, you shone like the sun.
Shine on you crazy diamond.
Now there’s a look in your eyes, like black holes in the sky.
Shine on you crazy diamond.

Crazy Diamond’s ability is this message put to action; restoring what is broken to its former glory. Which make you wonder how much of an influence this song had over the conception of this Stand’s ability.

Conclusion:

This is a difficult one to assess. While the overall message of the song is amazingly similar to the Stand’s abilities, there are many other aspects of the song that play no part whatsoever. For example, there is quite a bit of technical and instrumental analysis of the song, seeing as this is considered a groundbreaking piece of music. Also The song, as I previously mentioned, is spilt into two parts and used to book end performances; Crazy Diamond as a Stand does not ever deal with technology or the idea of dividing or multiplying itself. It never changes form either. Thus, while the parallels are interesting, I am going to have to credit this reference purely on name alone.